There are many people who lay claim to the title "legend," but few would dispute the consensus that Tina Turner — who was born on November 26, 1939 — is that and more.Born Anna Mae Bullock in — where else? — Nutbush, Tennessee, she rose to fame as the voice and the legs of the husband-and-wife team Ike & Tina Turner, singing on the hit singles "A Fool in Love" (#27, 1960), "It's Gonna Work Out Fine" (#14, 1961), "River Deep - Mountain High" (#88, 1966), "Proud Mary" (#4, 1971), "Nutbush City Limits" (#22, 1973) and many more.
She split from Ike in 1976, alleging abuse, and divorced him in 1978, their tumultous time together the subject of the acclaimed film What's Love Got to Do With It (1993).
But it is as a solo artist that Turner truly shone, starting especially with her 1984 #1 comeback hit single, "What's Love Got to Do With It." From that moment on, Turner was rock and pop royalty and an icon of reinvention and perseverance, more than just a great musical artist.
Surprisingly, as much of a household name as she is, Turner's singles-chart success pales in comparison to her esteem as a live performer.
Below, my picks for her most overlooked singles and songs that weren't even singles in the U.S.. Some were hits, but none were as massive as they should've been. All positions pertain to the U.S.:
(1) "Whole Lotta Love" (1976), NO CHART POSITION
Perhaps a black woman wailing about love way, deep down inside was a bit much for the American Top 40 in 1980, but her Led Zeppelin cover is a timeless scorcher that shockingly never charted in the U.S.
(2) "Acid Queen" (1976), NO CHART POSITION
Turner's gutsy performance of this Tommy (1976) tune was a marvel, but the charts shrugged. (Video at bottom of post.)
(3) "Sometimes When We Touch" (1978), NO CHART POSITION
Demonstrating why she is the mistress of covers, Turner interpreted the Dan Hill (b. 1954) soft-rock tune in her own inimitable way.
(4) "Love Explosion" (1979), NO CHART POSITION
Turner can sing just about anything, and she has! Here, she shimmies seamlessly into disco, a genre it seems she should have been able to conquer, yet this ecstatic tune stalled on the charts.
(5) "Let's Stay Together" (1983), #26
Another fantastic cover, "Let's Stay Together" by Al Green (b. 1946) was Turner's true comeback single, and it did hit the Top 40, thanks in part to a sexy music video that teased lesbian overtones. The new Tina was ready for her first #1 hit next, and she got it — but it could just as easily have been this.
(6) "Show Some Respect" (1985), #37
As good as anything else on Private Dancer, her final single from the record had the poorest chart showing, probably more from album fatigue than merit.
(7) "One of the Living" (1985), #15
Yes, it was a Top 15 tune, but following a #2 hit ("We Don't Need Another Hero") and coming from the soundtrack of the hit movie Mad Max: Beyond Thunderdome (1985), the song really deserved a higher status. I've always thought Turner's vocal was one of her most hard-driving in what is otherwise a poppy track. It's all about her snarling, "Savage ... ravaged."
(8) "Two People" (1986), #30
My favorite underperforming Tina single is this fragile ballad that unfolds into an anthemic love, deeply felt song. It has such a beautiful fade-out. (Video at bottom of post.)
(9) "GoldenEye" (1995), NO CHART POSITION
American lost its damn mind in not embracing this above-average Bond theme.
(10) "Missing You" (1996), #84
Tina almost had a Top 40 comeback in her late fifties with this '80s cover, but it could only muster #84. It's not much of a reinvention of the familiar song, but she's on fire in the chorus.
(11) "I'm Ready" (2008), NO CHART POSITION
Tina's final solo single in 2008 couldn't get American radio to show it some respect. It's too bad, because it's a spirited and appealing pop-rock tune that also would not sound out of place on country radio.
Some of those songs were massive hits in Europe, especially “Goldeneye”. Tina was always far more successful on the other side of the pond (at times a lot more than younger artists like Madonna).
Definitely, she was much bigger outside the U.S. at times. I don’t think it’s fair to say she approached Madonna on the singles chart anywhere in the world, however.
Well, actually I wouldn’t say one can compare the era in which Tina Turner’s career took place and how it developed with the time and space in which Madonna’s did, which incidentally began at the advent of MTV.
The very first album Madonna put out was, at the very beginning of the audio-visual/digital revolution of MTV, and her overnight hits and success were largely accomplished with the help of newly founded video bars. I still remember seeing her roll around on the ground in her grunge/semi-past disco combination outfit singing, Lucky Star.
I was stationed in Germany in 1984.
One thing I noticed is the German folks loved their music. The gay clubs had remixes up the yin yang. I do remember going into local music stores and one could ask to listen to albums you may want to buy-CDs were just coming out-and they would throw it on a record player-remeber those-and had you a headset.
Tina was big!!
I also remember when my friend came running into my room and said he found a good music find. Whitney Houston’s album was in his hands and we wore that thing out.